Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

A Souvenir of French Polynesia

6/06/2014

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After seeing the sand paintings done by our friend Valerie on Taravai in the Gambiers, we promptly commissioned her to make one for us. We looked at pictures of her work and showed her our favorites, but left the entire design up to her. We only asked that she include our boat name on the piece. It wasn’t finished when we left the Gambiers and she promised to mail it to us in Tahiti. Yesterday we picked it up and we are absolutely delighted.

All of the substances (sand, dirt, ash) that she uses for her “paint” are from the island of Taravai and are the natural color of the found material – no color added. We are currently in the process of finding some hard poster type board to mount it on and we will be hanging it when we do.

Leaving Our Mark

10/17/2012

Penrhyn (Te Tautua) LogbookThere were three places in the Cook Islands where we left a trail: Suwarrow at the ranger station and in Penrhyn in the cruiser logbooks that are now at both villages (Omoka and Te Tautua). We were the very first entry into the Te Tautua logbook and we were quite honored.

I love the idea of these cruiser traditions. You might remember the map we left on Wallace Island, BC or our plank at Hot Springs Cove, BC. If you visit these places in the future and see our mark, please take a picture and send it to us.

At Suwarrow I made a palm frond wreath, the type that can be made for a headdress or a necklace and put our card in the center.

Estrellita wreath at Suwarrow

Here is our entry in the Omoka logbook next to a card from SV Freya. When we went to return the book a card dropped out and it was friends of ours in Victoria BC. We re-took our picture of our log entry with their card.

Penrhyn (Omoka) Logbook

And our entry on the first page of the brand new Te Tautua logbook in which I misspelled Penrhyn *sigh* twice:

Penrhyn (Te Tautua) Logbook

Where next? Who knows.

A Paper Captain

1/05/2012
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This is my favorite sculpture on the boardwalk (malecon) in La Paz.

The paper boat, the paper hat, the sense of dreaming, longing, expectation (or is it sadness?) in his face. Gazing off onto a distant horizon. What a great symbol of the cruisers in La Paz, n’est-ce pas?

Logbook: SGaang Gwaay

7/05/2011
IMG_5801 (1280x853) We anchored in the SE cove on a day when the winds were blowing from the NW. We planned to take advantage of those winds by leaving directly from the village site for a two day passage to Vancouver Island.

Because of the passage we had packed away the dinghy and motor and we used the kayak to come to shore. A modern echo of the wooden canoe.
IMG_5804 (853x1280)SGaang Gwaay is easily the most beautiful island we visited in the entire park and although I wish we could anchor there I’m glad that it is being preserved.

The woods were lush in a Tofino area kind of way and the Haida Watchman Patrick took just the two of us on a tour of the village site.

The village itself is fronted by a gorgeous small cove in which they fished, collected shellfish and used long stone slides in the water to pull their canoes up to the beach at low tide.

I would love to have spent the night anchored there but it is no longer allowed which is great because could you imagine listening to someone’s generator while viewing the poles??

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When you put your back to the cove you see a line of poles that were in front of a line of longhouses. All of the primary frontal poles (the tallest) were taken by museums in the past and what remains are clan chief poles and mortuary poles in various states of decomposition.

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Some efforts were made in the past to support the poles but the Haida Band Council made the decision to allow the poles to return to the earth and so the only preservation tactics still used are trimming of the plants that take root and begin growing in the poles.

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The area is pounded by SE gales and so all of the poles show strong weather on the SE side and much crisper carving remains on the NW side.

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The longhouses are fallen and are covered with grass and moss. This is the last standing join.

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Cedar is rich material for other plants and so in many areas you can see where either totem poles or support beams for the longhouses have been used as a nursery log for what is now an enormous tree (left). The mortuary poles had human remains in boxes in a cavity in the top and these cavities were protected with face boards (now gone – many in museums) and cedar bark roofs. Now that the cavities are open, they host plant life and birds (right).

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This was the highlight of the Haida Gwaii trip by far.

Modern Haida Art: Skidegate

6/28/2011
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The Haida museum in Skidegate has some gorgeous modern and historic Haida art.

Below, I’ve picked a few photos of modern Haida pieces to share. The Raven and the Eagle are the primary Haida clan affiliations and, of course, this shows in the art. You also see many frogs, bears, orcas, and dogfish (look like wee sharks) among other animals.

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Bill Reid Dogfish Pole

6/27/2011

IMG_5727-IMG_5729_blended_fusedThis pole in Skidegate, just East of Queen Charlotte CIty, is special because it was the first pole carved and raised by the Haida people in more than a century. Imagine that – no one alive had raised a pole before and the traditional method, which they employed, is to raise it from the ground to standing with ropes and human muscles. It was carved by Bill Reid and raised in 1978 and is 25 meters tall.

The raising of this pole was a resurrection of what had been a tremendously important part of the Haida culture. To date, a number of other poles have been raised.

Most of the poles that we saw in the park were either partially or fully decomposed which was a conscious decision on the part of the Haida people – letting the old poles return to earth rather than attempting to preserve them. They do remove the moss from the standing poles at SGaang Gwaii (more on that World Heritage Site later).

I love this pole because the unpainted cedar is more striking to me. The natural wood allows the eyes to focus on the skill of the carver and the grain of the wood rather than the vivid colors often used as paints.

The dogfish looks like a wee shark by the way. We caught (and released) one.

Thanks to Behan of SV Totem for suggesting the program HugIn with which I stitched together this panorama from 3 separate pictures. It is freeware if anyone wants their own copy.

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